
Loudness Ladder: Silent (440 Hz)
1 s 440 Hz tone at linear amplitude 0.0 (digital silence): rung on the Wave E loudness ladder.
- File
- WAV · Loudness Ladder · 1 s
- Use case
- Loudness / LUFSAudio analysis· Conversion set
Find files, editable templates and browser test targets by what you need to make or test. The directory below is cut by format; the two collections under it cut the same library by subject and by workflow.
Page 11 of 17; 24 results per page.

1 s 440 Hz tone at linear amplitude 0.0 (digital silence): rung on the Wave E loudness ladder.

1 s 440 Hz tone at linear amplitude 0.75 (~-2.5 dBFS peak): rung on the Wave E loudness ladder.

1 s 440 Hz tone at linear amplitude 0.02 (~-34.0 dBFS peak): rung on the Wave E loudness ladder.

The clip as AAC in an MP4/M4A container (faststart): Apple's default audio container. For testing M4A parsing and MP4 audio conversion.

The clip as an M4R iPhone ringtone: AAC in an MP4 container with the ringtone extension. For testing that a converter maps M4R↔M4A correctly.

A two-second melody playing an ascending C-major scale (C4 to C5) with per-note envelopes: a simple musical signal for testing pitch detection, onset detection, and playback.

A 5 second excerpt of this group's take, telephone chain. Band-limited, resampled and companded in one pass: the whole telephone path applied at once rather than one effect at a time. Delivered as pcm_mulaw at 8000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, clipping. Samples driven past a fixed threshold and flattened, the damage a hot microphone does and the one no codec can undo. Delivered as flac at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as adpcm_g722 at 16000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as gsm at 8000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as mp3 at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as mp3 at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as pcm_mulaw at 8000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, codec. Encoded and decoded through a real speech codec, so the artefacts are the ones the format actually produces rather than a simulation of them. Delivered as opus at 48000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, dropouts. Short spans silenced outright, as a packet-switched call drops them, so a transcriber must decide between a pause and a missing word. Delivered as flac at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

The complete 15.6 second utterance at 24000 Hz mono FLAC, spoken by the af_bella voice at 0.95x rate. The five-second excerpt in this group's ladder is cut from this take, so anything needing real duration uses this file and anything comparing damage uses the ladder. Lossless, so it is the archival reference for the whole group.

A 5 second excerpt of this group's take, noise. Broadband noise mixed in at a measured signal-to-noise ratio, which is where a denoiser is either working or not. Delivered as flac at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, noise. Broadband noise mixed in at a measured signal-to-noise ratio, which is where a denoiser is either working or not. Delivered as flac at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, noise. Broadband noise mixed in at a measured signal-to-noise ratio, which is where a denoiser is either working or not. Delivered as flac at 24000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, reference. The clean five-second excerpt every other file in this ladder is scored against. Delivered as flac at 24000 Hz mono. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, resample. The same audio at a different sample rate, which is the step most speech pipelines get wrong silently by assuming their model's rate. Delivered as flac at 16000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, resample. The same audio at a different sample rate, which is the step most speech pipelines get wrong silently by assuming their model's rate. Delivered as flac at 44100 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

A 5 second excerpt of this group's take, resample. The same audio at a different sample rate, which is the step most speech pipelines get wrong silently by assuming their model's rate. Delivered as flac at 8000 Hz mono. Scored against plate.flac in the same group, which is the same five seconds undamaged. The parameters in the specification are what the file MEASURED, not what was requested of it.

What a speech recogniser returned for this take. It normalises: spoken "forty three dollars and eighteen cents" comes back as digits and a currency symbol. Compared with the reference script without normalising first, this disagrees on every number in the utterance and a word error rate computed that way reports a fault that does not exist. That gap is the point of the pair.